Yesterday we were pleased to review Jon Land’s latest book, Strong to the Bone. It’s a terrific, tension filled novel that adds to the Caitling Strong series.
Today as part of the virtual book tour for the book, Mr. Land has written an article to tell us more about his goals for his popular characters. He’s succeeded brilliantly with this entry. See if you don’t agree. I’m sure you’ll enjoy it as much as I did. Thank you, Mr. Land!
Perhaps Mr. Land can tell us more about Caitlin Strong and Cort Masters. Over the years of writing a recurring character, has he learned a lot more about her that even he didn’t expect? Since he is so familiar with the two of them, does their story and personality flow easily at this point, or does he seek a new challenge with each book
That’s a simple question that requires a complex answer. The most important thing for any series, thriller or otherwise, is to keep each successive book feeling fresh and unique. Remember, if you’re lucky enough to have published multiple books in a series, as an author you always want readers to buy your latest which, by the nature of the business, is the most important. My point is that lots of readers, if not most, don’t necessarily start a series at the beginning, and as authors we really have no idea which title is going to be their first.
First and foremost, you have to approach every book in the series as if it is the first. That doesn’t mean introducing the recurring characters from scratch every time, but it does mean writing a story that can function independently of all the others, so the reader doesn’t feel as if they’ve missed anything or are lacking information that they need. Because the goal of any series is to make the reader want to go back to the books that came before the first one he or she read and go forward to all the books that came after.
That’s the macro. Now let’s talk about the micro.
Confession time: From a structural standpoint, all my Caitlin Strong books are pretty much the same. I’m not alone there. If you look at the work of Steve Berry, James Rollins, Lee Child, Brad Thor, Brad Taylor, you’ll notice they, too, have a formula they rely on. It’s kind of the nature of thriller writers. While the general structure remains consistent, though, the same doesn’t always hold true for the characters.
I’ve already talked and written a lot about starting STRONG TO THE BONE with the premise that I wanted to challenge my hero, Texas Ranger Caitlin Strong, as I’ve never challenged her before. I wanted to make even dedicated readers feel like they were reading her for the first time. So, jumping off a scourge that’s been in the news so much lately, I decided to make Caitlin a victim of sexual assault.
Early on in STRONG TO THE BONE, we learn for the first time that eighteen years ago, while she was in college, Caitlin was raped. The book opens with Caitlin rescuing another coed who’s been sexually assaulted from a club and it turns out that her attacker is the same man who attacked Caitlin! So Caitlin finally gets a chance to catch the man herself who eluded her all those years before. She gets a chance to slay her particular dragon.
How Cort Wesley Masters, Caitlin’s outlaw boyfriend, deals with this proves crucial to his own character, as well as his relationship with Caitlin. See, the thing I do in this series is age the characters organically instead of leaving them the same age like so many thriller and mystery writers do. I remember reading an interview with the great Robert Parker who said that the biggest mistake he ever made with his brilliant Spenser character was to make him a Korean War vet, meaning he’d now have to be in his eighties.
The emotion in STRONG TO THE BONE and all the books in the Strong series is driven by how Caitlin and Cort Wesley deal with the fact that his sons are growing up. They’re about a year older in every book, and among the greatest book in following this series, no matter where you start, is watching Caitlin and Cort Wesley deal with the personal struggles, conflicts, and crises they’re experiencing. In STRONG TO THE BONE, for example, the actions of his oldest son Dylan is what draws Cort Wesley into the action, specifically against a neo-Nazi gang leader Dylan has run afoul of.
That family dynamic allows me to mine a wealth of scenarios to continually pose fresh challenges with each book. What I’m getting at it is keeping a series fresh isn’t just about what the characters do; just as much, it’s about how their actions affect them and the consequences that result. So while the structure of how those stories unfold remain pretty much the same from book to book, the emotion bred by what my recurring characters are experiencing are constantly changing and evolving. It’s kind of like using the same roll of wrapping paper every Christmas, even though the present inside the box is always different.
The fun here is that this gives me license to let my characters dictate their emotive response on their own. Like the book where Cort Wesley realizes he and Caitlin are drawn the closest together under the looming potential of violence. Or in STRONG TO THE BONE when Caitlin finds herself conflicted about whether she wants to catch her rapist or not because she’s afraid it may cost her the edge that has long defined her.
The thing readers love the most about thrillers is having no idea what’s going to happen next. And, since I rely on my characters so much, even I don’t know what’s going to happen next. That’s why I enjoy writing the Caitlin Strong books as much as I hope you will enjoy reading them.
A sinister movement has emerged from the shadows of history, determined to undermine the American way of life. Its leader, Armand Fisker, has an army at his disposal, a deadly bio-weapon, and a reputation for being unbeatable. But he s never taken on the likes of Caitlin Strong and her outlaw lover, Cort Wesley Masters.
To prevent an unspeakable cataclysm, Caitlin and Cort Wesley must win a war the world thought was over.
“What the hell?”
Caitlin Strong and Cort Wesley Masters had just emerged from Esther’s Follie’s on East 6th Steet, when they saw the stream of people hurrying down the road, gazes universally cocked back behind them. Sirens blared off in the distance and a steady chorus of honking horns seemed to be coming from an adjoining block just past the street affectionately known as “Dirty Sixth,” Austin’s version of Bourbon Street in New Orleans.
“Couldn’t tell you,” Cort Wesley said, even as he sized up the scene. “But I got a feeling we’re gonna know before much longer.”
* * *
Caitlin was in town to speak at a national law enforcement conference focusing on homegrown terrorism, and both her sessions at the Convention Center had been jam-packed. She felt kind of guilty her presentations had lacked the audio-visual touches many of the others had featured. But the audiences hadn’t seem to mind, filling a sectioned-off ballroom to the gills to hear of her direct experiences, in contrast to theoretical dissertations by experts. Audiences comprised of cops a lot like her, looking to bring something back home they could actually use. She’d focused to a great extent on her most recent battle with ISIS right here in Texas, and an al-Qaeda cell a few years before that, stressing how much things had changed in the interim and how much more they were likely to.
Cort Wesley had driven up from San Antonio to meet her for a rare night out that had begun with dinner at Ancho’s inside the Omni Hotel and then a stop at Antone’s nightclub to see the Rats, a band headed by a Texas Ranger tech expert known as Young Roger. From there, they’d walked to Esther’s Follies to take in the famed Texas-centric improve show there, a first for both of them that was every bit as funny and entertaining as advertised, even with a gun-toting woman both Caitlin and Cort Wesley realized was based on her.
Fortunately, no one else in the audience made that connection and they managed to slip out ahead of the rest of the crowd. Once outside, though, they were greeted by a flood of pedestrians pouring up the street from an area of congestion a few blocks down, just past 8th Street.
“What you figure, Ranger?”
“That maybe we better go have ourselves a look.”
Caitlin practically collided with a young man holding a wad of napkins against his bleeding nose at the intersection with East 7th Street.
“What’s going on?” she asked him, pulling back her blazer to show her Texas Ranger badge.
The young man looked from it back to her, swallowing some blood and hacking it up onto the street. “University of Texas graduation party took over all of Stubb’s Barbecue,” he said, pointing in the restaurant’s direction. “Guess you could say it got out of hand. Bunch of fraternities going at it.” He looked at the badge pinned to her chest again. “Are you really a Texas Ranger?”
“You need to get to an emergency room,” Caitlin told him, and pressed on with Cort Wesley by her side.
“Kid was no older than Dylan,” he noted, mentioning his oldest son who was still on a yearlong leave from Brown University.
“How many fraternities does the University of Texas at Austin have anyway, Cort Wesley?”
“A whole bunch.”
“Yeah,” she nodded, continuing on toward the swell of bodies and flashing lights, “it sure looks that way.”
Stubb’s was well known for its barbecue offerings and, just as much, its status as a concert venue. The interior was modest in size, as Caitlin recalled, two floors with the bottom level normally reserved for private parties and the upstairs generally packed with patrons both old and new. The rear of the main building, and several adjoining ones, featured a flattened dirt lot fronted by several performance stages where upwards of two thousand people could enjoy live music in the company of three sprawling outdoor bars.
That meant this graduation party gone bad may have featured at least a comparable number of students and probably even more, many of whom remained in the street, milling about as altercations continued to flare, while first responders struggled futilely to disperse the crowd. Young men and women still swigging bottles of beer, while pushing and shoving each other. The sound of glass breaking rose over the loudening din of the approaching sirens, the whole scene glowing amid the colors splashed from the revolving lights of the Austin police cars already on the scene.
A fire engine leading a rescue wagon screeched to a halt just ahead of Cort Wesley and Caitlin, at the intersection with 7th Street, beyond which had become impassable.
“Dylan could even be here, for all I know,” Cort Wesley said, picking up his earlier train of thought.
“He doesn’t go to UT.”
“But there’s girls and trouble, two things he excels at the most.”
This as fights continued breaking out one after another, splinters of violence on the verge of erupting into an all-out brawl going on under the spill of the LED streetlights rising over Stubb’s.
Caitlin pictured swirling lines of already drunk patrons being refused admittance due to capacity issues. Standing in line full of alcohol on a steamy night, expectations of a celebratory evening dashed, was a recipe for just what she was viewing now. In her mind, she saw fights breaking out between rival UT fraternities mostly in the outdoor performance area, before spilling out into the street, fueled by simmering tempers now on high heat.
“You see any good we can be here?” Cort Wesley asked her.
Caitlin was about to say no, when she spotted an anxious Austin patrol cop doing his best to break up fights that had spread as far as 7th Street. She and Cort Wesley sifted through the crowd and made their way toward him, Caitlin advancing alone when they drew close.
“Anything I can do to help,” she said, reading the Austin policeman’s nametag, “Officer Hilton?”
Hilton leaned up against an ornate light pole that looked like gnarled wrought iron for support. He was breathing hard, his face scraped and bruised. He noted the Texas Ranger badge and seemed to match her face to whatever media reports he’d remembered her from.
“Not unless you got enough Moses in you to part the Red Sea out there, Ranger.”
“What brought you boys out here? Detail work?” Caitlin asked, trying to account for his presence on scene so quickly, ahead of the sirens screaming through the night.
Hilton shook his head. “An anonymous nine-one-one call about a sexual assault taking place inside the club, the downstairs lounge.”
“And you didn’t go inside?”
Hilton turned his gaze on the street, his breathing picking up again. “Through that? My partner tried and ended up getting his skull cracked open by a bottle. I damn near got killed fighting to reach him. Managed to get him in the back of our squad car and called for a rescue,” he said, casting his gaze toward the fire engine and ambulance that were going nowhere. “Think maybe I better carry him to the hospital myself.”
“What about the girl?”
“Sexual assault victim inside the club.”
Hilton frowned. “Most of them turn out to be false alarms anyway.”
“Do they now?”
Caitlin’s tone left him sneering at her. “Look, Ranger, you want to shoot up the street to get inside that shithole, be my guest. I’m not leaving my partner.”
“Thanks for giving me permission,” she said, and steered back for Cort Wesley.
“That looked like it went well,” he noted, pushing a frat boy who’d ventured too close out of the way, after stripping the empty beer bottle he was holding by the neck from his grasp.
“Sexual assault victim might still be inside, Cort Wesley.”
“Got any ideas, Ranger?”
Caitlin eyed the fire engine stranded where East 7th Street met Red River Avenue. “Just one.”
Four firemen were gathered behind the truck in a tight cluster, speaking with the two paramedics from the rescue wagon.
“I’m a Texas Ranger,” Caitlin announced, approaching them with jacket peeled back to reveal her badge, “and I’m commandeering your truck.”
“You’re what?” one of the fireman managed. “No, absolutely not!”
The siren began blaring and lights started flashing, courtesy of Cort Wesley who’d climbed up behind the wheel.
“Sorry,” Caitlin said, raising her voice above the din, “can’t hear you!”
* * *
The crowd that filled the street in front of Stubb’s Barbecue saw and heard the fire truck coming and began pelting it with bottles, as it edged forward through the congested street that smelled of sweat and beer. What looked like steam hung in the stagnant air overhead, either an illusion or the actual product of so many superheated bodies congealed in such tight quarters. The sound of glass braking crackled through Caitlin’s ears, as bottle after bottle smashed against the truck’s frame.
The crowd clustered tighter around the fire engine, cutting off Cort Wesley’s way backward or on toward Stubb’s. The students, their fervor and aggression bred by alcohol, never noticed Caitlin’s presence atop the truck until she finally figured out the workings of the truck’s deck gun and squeezed the nozzle.
The force of the water bursting out of the barrel nearly knocked her backward off the truck. But she managed to right and then repositioned herself, as she doused the tight cluster of students between the truck and the restaurant entrance with the gun’s powerful stream.
A wave of people tried to fight the flow and ended up getting blown off their feet, thrown into other students who then scrambled to avoid the fire engine’s surge forward ahead of its deafening horn. Caitlin continued to clear a path for Cort Wesley, sweeping the deck gun in light motions from side to side, the five hundred gallon tank still plenty full when the club entrance drew within clear view.
She felt the fire engine’s front wheels mount the sidewalk and twist heavily to the right. The front fender grazed the building and took out a plate glass window the rioting had somehow spared. Caitlin saw a gap in the crowd open all the way to the entrance and leaped down from the truck to take advantage of it, before it closed up again.
She purposely didn’t draw her gun and entered Stubb’s to the sight of bloodied bouncers and staff herding the last of the patrons out of the restaurant. Outside, the steady blare of sirens told her the Austin police had arrived in force. Little they could do to disperse a crowd this large and unruly in rapid fashion, though, much less reach the entrance to lend their efforts to Caitlin’s in locating the sexual assault victim.
She threaded her way through the ground floor of Stubb’s to the stairs leading down to the private lounge area. The air felt like it was being blasted out of a steam oven, roiled with coagulated body heat untouched by the restaurant’s air conditioning that left Caitlin with the sense she was descending to hell.
Reaching the windowless sub-level floor, she swept her eyes about and thought she heard a whimpering come from a nest of couches, where a male figure hovered over the frame of a woman, lying half on and half off a sectional couch.
“Sir, put your hands in the air and turn around slowly!” Caitlin ordered, drawing her SIG-Sauer nine-millimeter pistol. “Don’t make me tell you twice!”
He started to turn, without raising his hands, and Caitlin fired when she glimpsed something shiny in his grasp. Impact to the shoulder twisted the man around and spilled him over the sectional couch, Caitlin holding her SIG at the ready as she approached his victim.
She heard the whimpering again, making her think more of the sound a dog makes, and followed it toward a tight cluster of connected couch sections, their cushions all stained wet and smelling thickly of beer. Drawing closer while still keeping a sharp eye on the man she’d shot, Caitlin spotted a big smart phone lying just out of his grasp, recognizing it as the object she’d wrongly taken for a gun. Then Caitlin spied a young woman of college age pinned between a pair of couch sections, covering her exposed breasts with her arms, her torn blouse hanging off her and jeans unbuttoned and unzipped just short of her hips.
Drawing closer, Caitlin saw the young woman’s assailant, the man she’d just shot in all likelihood, must’ve yanked them down so violently that he’d split the zipper and torn off the snap or button.
“Ma’am?” she called softly.
The young woman tightened herself into a ball and retreated deeper into the darkness between the couch sections, not seeming to hear her.
“Ma’am,” Caitlin said louder, hovering over the coed while continuing to check on the man she’d shot, his eyes drifting in and out of consciousness, his shirt wet with blood in the shoulder area from the gunshot wound.
Caitlin only wished it was her own attacker lying there, from all those years before when she’d been a coed herself at the Lone Star College campus in West Houston. Some memories suppressed easily, others were like a toothache that came and went. That one was more like a cavity that had been filled, forgotten until the filling broke off and raw nerve pain flared.
Caitlin pushed the couch sections aside and knelt by the young woman, pistol tucked low by her hip so as not to frighten her further.
“I’m a Texas Ranger, ma’am,” she said, in as soothing a voice as she could manage. “I need to get you out of here, and I need you to help me. I need to know if you can walk.”
The young woman finally looked at her, nodded. Her left cheek was swollen badly and one of her arms hung limply from its socket. Caitlin looked back at the downed form of the man she’d already shot once, half hoping he gave her a reason to shoot him again.
“What’s your name? Mine’s Caitlin.”
“Kelly Ann,” the young woman said, her voice dry and cracking.
Caitlin helped her to her feet. “Well, Kelly Ann, I know things feel real bad right now, but trust me when I tell you this is bad as they’re going to get.”
Kelly Ann’s features perked up slightly, her eyes flashing back to life. She tried to take a deep breath, but stopped halfway though.
Caitlin held her around the shoulders in one arm, SIG clutched in her free hand while her eyes stayed peeled on the downed man’s stirring form. “I’m going to stay with you the whole way until we get you some help,” she promised.
The building suddenly felt like a Fun House Hall of Mirrors. Everything distorted, perspective and sense of place lost. Even the stairs climbing back to the ground floor felt different, only the musty smell of sweat mixed with stale perfume and body spray telling her they were the same.
Caitlin wanted to tell Kelly Ann it would be all right, that it would get better, that it would all go away in time. But that would be a lie, so she said nothing at all. Almost to the door, she gazed toward a loose assemblages of frat boys wearing hoodies displaying their letters as they chugged from liquor bottles stripped from the shelves behind the main bar on the first floor. How different were they from the one who’d hurt her, hurt Kelly Ann?
Caitlin wanted to shoot the bottles out of their hands, but kept leading Kelly Ann on instead, out into the night and the vapor spray from the deck gun now being wielded by Cort Wesley to keep their route clear.
“’Bout time!” he shouted down, scampering across the truck’s top to retake his place behind the wheel.
Caitlin was already inside the cab, Kelly Ann clinging tight to her.
“Where to, Ranger?”
“Seton Medical Center, Cort Wesley.”
Before he got going, Caitlin noticed Officer Hilton and several other Austin cops pushing their way through the crowd toward the entrance to Stubb’s.
“Don’t worry, Officer, I got the victim out safe and sound,” she yelled down to him, only half-sarcastically. “But I left a man with a bullet in his shoulder down there for you to take care of.”
“I’d hurry, if I were you. He’s losing blood.”
Excerpt from Strong to the Bone by Jon Land. Copyright © 2017 by Jon Land. Reproduced with permission from Jon Land. All rights reserved.
Jon Land is the USA Today bestselling author of 43 books, including eight titles in the critically acclaimed Caitlin Strong series: Strong Enough to Die, Strong Justice, Strong at the Break, Strong Vengeance, Strong Rain Falling (winner of the 2014 International Book Award and 2013 USA Best Book Award for Mystery-Suspense), Strong Darkness (winner of the 2014 USA Books Best Book Award and the 2015 International Book Award for Thriller, and Strong Light of Day which won the 2016 International Book Award for Best Thriller-Adventure, the 2015 Books and Author Award for Best Mystery Thriller, and the 2016 Beverly Hills Book Award for Best Mystery. Strong Cold Dead became the fourth title in the series in a row to win the International Book Award in 2017 and about which Booklist said, “Thrillers don’t get any better than this,” in a starred review. Land has also teamed with multiple New York Times bestselling author Heather Graham on a new sci-fi series, the first of which, The Rising, was published by Forge in January of 2017. He is a 1979 graduate of Brown University and lives in Providence, Rhode Island.
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